GIANNA BÄRTSCH
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It needs to be endured, extended and savoured: silence. It is far more than emptiness, nothingness or a white sheet ofpaper. Silence is ...
Silence is used in many ways in art, design and education. This is also the case in Anna Iphigenia Siradakis’ art education degree project. Painted on porcelai...
In her classes, Fine Arts lecturer Marie-France Rafael fosters dialogue; in her research, she is interested in how analog blends with digital. Photograph: Alan...
Nostalgia and social ideals determine Duke Aslani’s art. The multimedia artist works with texts, videos and photography. In doing so, he finds inspiration in co...
GIANNA BARTSCH
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A renaissance in 2021: what follows questions the past, outlines new approaches and breathes new life into old ideas. Thus, for instance,...
The 10 most-read Zett articles in 2020
This year once again, Zett, the magazine of Zurich University of the Arts, portrayed students and lecturers and presente...
During lockdown, life took place mainly on and in front of screens. Switzerland stayed at home. But people still travelled, albeit differently. Students and lec...
Should we now only be working in our rehearsal rooms and workshops? No. That’s not how Vojko Huter and Tapiwa Svosve of the District Five Quartet and the multim...
GIANNA BÄRTSCH
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At first glance, things don’t really seem to fit — yet a second glance reveals: What a duo! Unconventional co-productions, amazing connec...
“If you’d feel at home here, you’d know how to take care of it.“ Willimann/Arai, Invitation 2.1: Nakanojo. Photo: Ujin Matsuo
Generous, open, obliging — the...
