My favourite piece

Plinth

Without artwork: a plinth out of service in its natural environment. Photo: Regula Bearth © ZHdK My favourite piece CAROLINE SÜESS ___ There is an im...

Focus Renaissance

GIANNA BARTSCH ___ A renaissance in 2021: what follows questions the past, outlines new approaches and breathes new life into old ideas. Thus, for instance,...

16 mm Steenbeck

Cut by cut: film students Gina Calamassi and Hubert Schmelzer working with the 16 mm Steenbeck flatbed editor. Photograph: Johannes Dietschi © ZHdK My favouri...

Recorder

Large or small, a classical Renaissance piece or a modern interpretation: the recorder is more versatile than its reputation. Photograph: Regula Bearth © ZHdK ...
Thonet B9

Thonet B9

The beginning of a special love story: the Thonet B9 by Gebrüder Thonet GmbH, 1927, Design Collection, Museum für Gestaltung Zürich. My favourite piece BRUNO...

NEAR Toolbox

Anything but bog-standard: The NEAR toolbox needs to be actively designed and makes a lot possible. Photograph: Regula Bearth FAVOURITE PIECE BY RENATO SOLDE...

Focus Raw

BY GIANNA BÄRTSCH ___ Everything begins in a raw state. It is the starting point, the point of departure. This issue focuses on the raw and leads back to or...

Previsualisation Table

Virtual film-making: the previsualisation table enables previewing technically complex film projects before shooting. Photograph: Betty Fleck © ZHdK FAVOURITE...

Media return unit

A look behind the "monastery gate" where 70,000 media return home every year. Photograph: Regula Bearth © ZHdK Favourite piece BY FABIENNE KOCH ___ On le...